This article discusses and commends the development of
robotic fabrication into the digital age. The initial integration of robotic
fabrication into architecture saw less than ideal results, as early development
lead to a high degree of specificity. In the 1990’s the specificity of each
robotic application to each construction process did little more than increase
productivity, adding little to no architectural value. Further development of
digital manufacturing lead to the use of the industrially proven multi-axis
robots, providing a new versatility. This article stresses the versatility
attributed to the multi axis robot and its ability to be customized for a wider
variety of applications. “- unleashing a previously unimaginable range of
freedom in the interplay between the machine and the object.”
Going
beyond the introduction of robotics into digital fabrication this article puts
emphasis on the synthesis of robotics and the process of architecture. “Only
once digital architecture has assumed a more radical, substantial role in the
aesthetic and material realization of architecture will the discipline finally
arrive in the digital age.” Essentially for robotics to be fully integrated
into the design process it must provide a means of translating the digital
realm into the physical.
This article discusses three projects that truly integrate
robotic process, materiality, and design concepts. The first project is the
Gantenbein Vineyard façade, using robotics on a large scale to generate an
irregular brick façade. The second project expands upon this idea of stacking
irregular brick structures by using aerial robotics. “flight assembled
architecture” The third project refers to the previously discussed Future
Cities Lab producing 1:50 scale models through robotic fabrication. Each of
these projects emphasizes the use of robotics to produce a physical model
through a variety of materials and processes. By robotically producing physical
architecture from the digital world, architecture is pushed forward into the
digital age.
No comments:
Post a Comment